Piece n Patch

Posts Tagged ‘cutting

Whenever I see some pictures in patchwork magazines, I wonder rather envy to see other quilter’s studios, very neat, clean and worth dying for.

How come they have such organized and beautiful place? Because I could never manage to keep my work place in presentable shape for more than an hour. I do clean, manage, and beautify my beloved sewing room; the best loved place of my home, but only for the time, very short indeed. The moment I start a project, the hurricane is on, all the tidiness fall a prey to my sorting, ironing and cutting. It’s emergency time, no rules, pick this, drop that, the main emphasis is on the right fabric for the project and the heat is on.

I have to work on the piece and nothing else seems to matter. And in minutes a look of general chaos is all around the room, bolts of fabric, cutting rags, and books all seem to fly out of their places, seemingly coming to my aid. Please use me, oh please I am waiting for so long, oh no I am the right rag for this flying geese, or no not at all, flying geese is not the right pattern, use me I am a drunkard path left over cutting waiting for ages to be used. I am suffocating in the drawer for so long that I am fading.

So I sit in the mess and create master piece. I don’t allow any servant to touch any piece no matter how small it is. In-fact smaller the piece, more important it is. They are not allowed to sweep the floor till I tell them to do so. Not a piece more than an inch can be thrown.

I have a big cushion cover and I put all the discarded rags in that, if any that I dare to part with and in the end I have a very soft, cosy bean bag for the home or to sell. And it serves as storage for the rags I may need, till I stitch the opening and use it.

But the main problem is always there, no matter how much boxes of shoes I buy, beg, borrow or steal. I am always short of storage boxes. Right now I am in desperate need of some caterpillar shoe boxes; they are the best, good to look at, with sturdy lid, and an impression plus a status symbol.

As I am a professional quilter, I have to work 6 hours a day, so I have to spend a lot of time in sewing room; my first home, but I can’t control the mess once I am on the work super speed train.

Otherwise I am a very organized person, one can inspect my closets, weather be it kitchen, bed or store room , all worth looking at, but I think as I don’t work in those places, they remain clean and tidy, except for my hubby’s under garment drawer.

I think I am compelled to work in mess, as when I am working, the main target is work, in the best possible way, the best shortest time and with the best end results, so when I am done with one project, I do set my heart and body to clean the mess, and sweep the floors, and cherish the scene for some golden moments. May be that’s the fate of my sewing room, and me as well.

But, the main point is still there, how come other quilter keep their work area clean? Either they don’t work there, or keep a working place hidden somewhere in the attic, or they work few hours or they take photos before starting a quilt. Especially a rag bag quilt; A great mystery for me.

Some Body Help Me…

 

Hectic Matchwork

I love patchwork; delicate, fine and complicated, and whenever there is fine work in any form, may it be knitting or needlework, my family and friends can tell, I did it 🙂

So is the case with patchwork, and I think Seminole is next to none. It is very fine in cutting, sewing and in final results, I feel like painting; the only difference is with fabric. As painting is my dream; but I can’t.

My first encounter with this form of work was just by accident, once as usual on old bookshop I saw some very unusual book with fine thin designs and colours on the front page. I took it or the rest of my life; it took me.

I read it, tried some designs, as usual with 3 times the grid, as I believed it can’t be done ¾ inch per strip. I made some but dishearten put the book away.

After some time again worked on it this time actual size and tried hard to match the tiny squares and whenever needed added some tucks and streaches. The results were clumsy but promising. As a professional I applied those strips on some pillows etc and they were loved and sold promptly. I found that even the first one was also in the same category. It has some pull, magnetic, or what. Then I practiced it with full effort and it paid, .So I started making it in voile and thin cotton, with summer and winter colours.

I used them on ladies dresses, all designs, shirts, stoles, and party wear. Used silk, cotton and other materials and when needed I stabilized light fussy fabric with wondaweb; real wonder.

I do exhibitions and take as much of Seminole as I can as it takes the burden of all expenses and takes the lion share in profits as well. Ladies fall like autumn leaves on my stall and others come to see what is happening there and fall too. These laces are so eye catching and fine and out of this world that people abruptly say; it is the fabric itself, no no it cant be stitching and when they hold it and feel it, the look they have on their faces, is utter disbelief. I love that part the most, Next they declare, she does not make them; she gets them made. In my country mostly ladies of high class don’t work, they get it done.  So what!  I say, appreciate the one who made it. It’s no secret that I make them my self and right now I am sitting close to a pile of cut strips in rainbow colours. How can I deprive myself of joy of playing with colours, without spilling them?    

This is the book I believe I can weigh in diamonds, or if there is some more precious thing in this world.

I searched the web for more books or designs, but not much. Rather I have worked a lot in this field. I have worked in different mediums and on different pieces, such as clothe towels, bed linens, wall hangings, gift-bags, cushions, curtain-valances, and much more. I work in different sizes of strips for different uses. My colours and themes are quite different from the book, as I adapted them to my lifestyles and demands.

Seminole patchwork is loved by me and all my clients without a doubt. In Pakistan only I make them and try to teach if I find someone, but as it is very time and labour consuming nobody dares learn it . Only they want it done.

Ladies from boutiques see it, grab it, the whole roll, at times the whole range of that colour and flee with bounty as if it will vanish. They see new dress designs in it and are sure that it is a rare commodity. I make sets of colours and designs such as I work from 3 strips to 6 or seven strips, in colour gradations, and one biased strip to work as pipping, so when you get a whole set of design ready to use , you sure are to headstream for it.

I thank the authors and the CnT publications that did such a great job in publishing this book. It’s a treasure for me. Recently I wrote my comments on their web as well about this book. Luckily I have 2 of these, and believe me will buy again if I find some .These designs are joy and income in one go.

I always wanted to make beautiful Pambono designs. I don’t have access to any of the books here in Pakistan. I tried to get some free patterns from the net but I could not make any presentable pattern. Once I tried to print a design from a website (I am actually the subscriber of that site). I took the print, enlarged it, made templates of the pattern and tried to make it my way! Some good was done. I made a quilt from that design. It was beautiful and I liked it.

One day searching in the old book shop in Vancouver, Canada I saw what I could never believed what I was seeing there. One no 2 books of Pambono, right before my eyes on the quilt books shelf. I picked them like a loving new born, felt them, cherished them, took a stool, sat down and opened the book and went through the whole like a journey long desired. Then I bought both in less than 7 dollars, old book shop, shrine of love.

I selected one design, read all the instructions of how to use the book then selected the fabric and set to cut the pieces.

I am a template lover that I can’t do without one. That’s why I find paper piecing very difficult although I do make templates for that method as well. But for this I was determined to do as told. It’s my habit to follow the book first and then change any if I can’t adapt the original method.

So I tried to cut all the pieces in the way the book mentioned, but right from the first cut I was unable to follow. I couldn’t understand 3/8 or 7/8. I found for the first time that I don’t have the ruler with 8 margins, I have a collection of rulers including rotary, so I tried approximate method such as ½ inch or ¾ inch, but I had to make enormous calculations, and in general the piece cut was not accurate, then I found one ruler with 8 sections in an inch, and tried to cut again, but there were so many pieces of the same size that I could not make out which one for what. I cut small pieces of paper and with tiny clips put details on each. Sometimes the piece was so small that I had to wrap the paper around it. But anyways I did cut some. Then as old habit dies hard, I thought if I have to cut one size in different colours, why not make a template of that number. I took out my stock of old X-rays and made a lot of templates for that design, and tried to write the details with marker, but again the 3/8 piece was too small to write.

I tried that method along with the books method, but in the end I had very out of size pieces cut and stacked in the trays, like candies in the basket.

Next I sat down for sewing. I am very fabric conscious. I can’t stand any wastage, whenever I cut with templates I try hard to set them in the manner that least fabric is wasted. At-times I keep squares and triangles templates handy to cut from the sides’ leftover fabric, such as lone star sides cut triangles. So when I sewed one small side square to the sides of main piece, on four sides, and cut the square along with the main piece, I had a pool of cut triangles under my feet. I was deviated. I can’t stand so much wastage: its murder! But since I wanted to follow the book I carried on, next was cutting each piece separately. I am used to cutting 8 layers at a time, saving a lot of time, but now had to cut each square from 4 sides individually. It put a lot of pressure on my fingers and time was another factor of waste feelings.

I still thought that I was new to this method, so don’t worry. I will learn with the passage of time and will learn the tricks of the trade, and these problems will reduce as well.

But I was wrong! Through out the project I had to follow the same rules and time and again I was up to abandoning the project. On the other hand this long time patch-working had planted some patience in my habit, so I carried on. I could not take the piece in exact size, so the next was out of setting. I had to cut and re-size all the time, but didn’t give up. Sewing was pathetic and backside miserable sewing room was a mess with wastage and all that. Emergency was declared and nobody was allowed to enter. Fans were shut and in this summer heat I kept on working.

To add salt to my injuries, not knowing the true number of pieces for each block, I had cut 28 flowers, and now I was determined to sew all, for the guilt of wasting the left over, as I knew I will never be able to distinguish the pieces form the cut wastage. I made 28 flowers, and don’t ask how many discarded and out of size were left to mourn. I will make some thing out of them some time.

Now to my delight I have 28 complete set of patterns to use any where I wanted. I made pillows, some bed runners and some complete bed set out of them, for my upcoming exhibition at the Expo Centre. It is the inaugural exhibition of this centre, so I thought the design was real set for the occasion.

Apart form all the pain; I am happy with the lopsided end result. I will soon make some more as I can’t resist the beauty of the patterns. It’s a must have, only if I can reduce the wastage and convert the design to templates; fools paradise, but all is well if the ends well! I love the drawbacks as much as the correct ones, as my life time wish had fulfilled.

I will find some new rulers and practice it time and again, as the tininess is the beauty. I will choose some more free time and better season to stitch.

 


Enter your email address to subscribe to this blog and receive notifications of new posts by email.

May 2024
M T W T F S S
 12345
6789101112
13141516171819
20212223242526
2728293031